Frightening Writers Discuss the Most Frightening Narratives They have Actually Experienced

Andrew Michael Hurley

The Summer People by a master of suspense

I encountered this tale long ago and it has haunted me since then. The titular vacationers turn out to be the Allisons urban dwellers, who rent a particular off-grid country cottage annually. During this visit, instead of going back home, they decide to prolong their holiday an extra month – an action that appears to unsettle all the locals in the adjacent village. Each repeats a similar vague warning that not a soul has ever stayed in the area after the end of summer. Nonetheless, the Allisons are resolved to not leave, and that is the moment events begin to get increasingly weird. The man who supplies oil won’t sell to the couple. Nobody is willing to supply groceries to the cottage, and as the family try to go to the village, the car won’t start. A tempest builds, the batteries of their radio diminish, and when night comes, “the elderly couple huddled together inside their cabin and anticipated”. What could be this couple expecting? What might the residents understand? Every time I read this author’s chilling and influential tale, I remember that the best horror comes from the unspoken.

An Acclaimed Writer

An Eerie Story from Robert Aickman

In this concise narrative a pair journey to a typical coastal village where bells ring constantly, a constant chiming that is irritating and unexplainable. The initial very scary episode happens at night, when they choose to take a walk and they fail to see the sea. The beach is there, the scent exists of putrid marine life and seawater, waves crash, but the sea seems phantom, or something else and more dreadful. It is truly insanely sinister and each occasion I go to a beach in the evening I recall this tale that ruined the sea at night to my mind – favorably.

The young couple – she’s very young, he’s not – go back to the inn and find out the cause of the ringing, through an extended episode of enclosed spaces, gruesome festivities and death-and-the-maiden intersects with dance of death bedlam. It’s an unnerving reflection regarding craving and deterioration, two people maturing in tandem as spouses, the connection and violence and tenderness within wedlock.

Not merely the scariest, but probably among the finest concise narratives out there, and a beloved choice. I read it en español, in the first edition of Aickman stories to appear locally a decade ago.

Catriona Ward

Zombie from Joyce Carol Oates

I delved into Zombie beside the swimming area in France recently. Despite the sunshine I sensed cold creep over me. Additionally, I sensed the excitement of anticipation. I was writing my latest book, and I encountered a block. I didn’t know whether there existed a proper method to write various frightening aspects the narrative involves. Going through this book, I realized that there was a way.

First printed in the nineties, the story is a bleak exploration into the thoughts of a criminal, Quentin P, inspired by an infamous individual, the murderer who slaughtered and cut apart numerous individuals in Milwaukee between 1978 and 1991. Notoriously, this person was obsessed with creating a compliant victim who would stay him and attempted numerous grisly attempts to achieve this.

The actions the story tells are terrible, but similarly terrifying is its own mental realism. The character’s awful, fragmented world is plainly told using minimal words, identities hidden. You is plunged caught in his thoughts, obliged to observe thoughts and actions that appal. The alien nature of his psyche feels like a bodily jolt – or finding oneself isolated on a desolate planet. Going into Zombie is less like reading but a complete immersion. You are absorbed completely.

Daisy Johnson

A Haunting Novel by Helen Oyeyemi

When I was a child, I was a somnambulist and later started having night terrors. Once, the fear involved a vision in which I was trapped inside a container and, when I woke up, I realized that I had removed a piece out of the window frame, seeking to leave. That building was falling apart; during heavy rain the downstairs hall flooded, insect eggs fell from the ceiling on to my parents’ bed, and once a large rat ascended the window coverings in that space.

Once a companion handed me the story, I was no longer living in my childhood residence, but the narrative of the house located on the coastline appeared known in my view, homesick as I felt. It’s a story concerning a ghostly noisy, emotional house and a female character who consumes limestone off the rocks. I adored the book deeply and came back frequently to the story, each time discovering {something

Katie James
Katie James

A passionate writer and tech enthusiast sharing insights on innovation and everyday life.